top of page

THE NEW COLLECTORS
THE NEW COLLECTORS serves as a premier global platform exploring the intersection of modern art and cultural trends. We provide enthusiasts with exclusive insights into rising talent, elite galleries, and the evolving landscape of the international art trade.
NEWS


Maria Andrievskay
“Through observing the sky, clouds and weather, nature has taught me to paint images that breathe.” Maria Andrievskaya is a painter based between Cyprus and London. Her practice explores the inner landscape and painting as a form of sensing rather than seeing. Through colour, texture and the preparation of the surface, she approaches painting as an act of attention, guided by intuition, memory and bodily sensation. Her process begins in the landscape of Cyprus, where she work


Art Basel Paris 2026: Paris Becomes the Centre of the Art World
From October 23 to 25, 2026, with Preview Days on October 21 and 22, Art Basel Paris will return to the Grand Palais for its fifth edition, bringing together 211 galleries from 41 countries and territories. The 2026 edition marks the first under the direction of Karim Crippa and arrives at a particularly significant moment for Paris, a city whose position within the international art market has continued to strengthen while its institutional and gallery landscape becomes incr


Matt Carey-Williams - The Interview
Portrait of Matt Carey-Williams outside his space on Porchester Place, London by Alexei Izmaylov © Matt Carey-Williams / Showpickle SR You began your career at Sotheby’s in 1997, subsequently working across auction houses and internationally renowned galleries, including Gagosian, Haunch of Venison, White Cube and Victoria Miro. Looking back on your journey, which experiences or encounters have most profoundly shaped your understanding of the art world? How has your perspecti


Rosie Wall
Qualified Arts and Humanities Goldsmiths 2006 A practicing Abstract Expressionist Artist since first lockdown, 2020. With a background in Secondary School Teaching and Theatre Practice, Physical Theatre – inter-relationship, and the ‘figurative’, influences my Art and Painting practice. I am interested in the corporeal, physical manifestation of movement patterns through space – I also explore the metaphoric and philosophical.


Ralf Kunstmann
My photorealistic painting technique distinguishes itself through exceptional attention to detail and astonishing depth of field. In comparison to traditional painting techniques, which often involve a certain degree of interpretation and abstraction, I strive to depict my subjects as lifelike as possible.I use a combination of digital tools for preparation and traditional techniques to reproduce textures, light effects, and shadows with the utmost precision. My ability to ca
ARTISTS


Jordan Tran Kean - The Interview
Jordan Tran Kean, Studio SR You began your artistic journey through graffiti and urban space before gradually moving toward the quieter and highly controlled language of your current paintings. What did you discover through this transition, and what did you feel you were searching for when you moved from the walls into the studio? JK Light is an integral part of my work. It is at the heart of my practice, essential and inseparable from my paintings. It helps me express what


Per Adolfsen: Drawing, Nature and the Act of Seeing
Born in Odense in 1964, Danish artist Per Adolfsen has developed a practice deeply rooted in drawing, observation and the natural landscape. After exploring different artistic languages throughout his career, including abstraction and surrealism, Adolfsen returned to the direct study of nature, working outdoors with pencil and paper and transforming his observations into larger works on paper. His landscapes are not simply representations of places, but investigations into pe


Dean Fox - The Interview
SR From London to Central Saint Martins, and then into the commercial world of advertising and gaming, your early career seems to have been shaped by both traditional artistic training and a highly structured visual environment. Looking back, what did those formative years teach you about seeing, composing and constructing an image and what eventually made you feel that you needed to return to painting? DF Those years were not separate from painting in a way. They heavily tra
NEWSLETTER
A curated weekly dispatch of global art intelligence, emerging perspectives, and strategic analysis for the modern collector.
bottom of page


